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  Atenção   

 

Por motivo de obsolência

Essa pagina está sendo descontinuada gradualmente.

Todo o material esta sendo transferido para um novo site.

Devido a inúmeros bugs, decorrentes da pagina

A gestão preferiu começar do zero,

Ou ficaríamos num trabalho de Sisifo:

 A cada segundo tendo que fazer manutenções,

E nos afastando do primordial motivo:

Manter vivo o Legado de Claude Forgeron e sua Obra,

Alem de outros conteúdos. 

Não foi fácil tomar a atual decisão, mas foi a única de fato a ser tomada. 

Mas foram encontradas outras matérias que se perderam aqui, e estão presentes na nova pagina. 

Não poderíamos deixar de agradecer a todos que visitaram a pagina durante esse tempo todo e os esperamos na nova e melhor versão dessas pagina.

 

A Gestão.

 

 

Attention


due to obsolescence
This page is being phased out gradually.
All material is being transferred to a new site.
Due to numerous bugs, arising from the page
Management preferred to start from scratch,
Or we would be left with a work of Sisyphus:
Every second having to do maintenance,
And moving away from the primary reason:
Keeping alive the Legacy of Claude Forgeron and his Work,
In addition to other content.

It was not easy to make the current decision, but it was the only one to actually be made.

But other materials were found that were lost here, and are present in the new page.

We couldn't help but thank everyone who visited the page during this whole time and we look forward to seeing you in the new and better version of these pages.

The management.

 

 

,,9

 

 

 

 

Free counters!

 


Agradecimentos aos  visitantes  ,caso  você não  fale  o  idioma português ,use  o  google tradutor

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" Aus langehegten,tiefgefuehlkten Schmerzen
Wand sichs empor aus meinen innern Herzen
Es fest zuhalten hab ich lang  gerungen
Doch weiss ich dass zuletzt es mir gelungen
Des Werkers Leben  koennt ihr nie gefaehrden
Ausfhalten koennt ihrs, ninmer  mehr vernichten
Ein Denkmahl  wird die  Nachwelt  mir errichten."

                          Arthur schopenhauer
Tradução:
Das dores longamente cultivadas e profundamente sentidas,ela  nasceu de  meu  coração.
Quanto lutei para consegui-lo,mas afinal tenho a certeza  de  que  não  foi  em  vão.
Podeis,por isso portar-vos como quiserdes, que a  vida  de minha obra  jamais ha´de periclitar.
Podeis detê-la, mas nunca destruí-la.
um monumento  erguer-me-a´  a posteridade.

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"As pessoas de notoriedade intelectual costumam estar à frente de seu tempo. Certamente Claude subverte essa lógica e prova que não se atinge a vanguarda apenas olhando pra frente. Ele se notabiliza intelectualmente, não por antecipar o que há de melhor no futuro, mas por representar o que há de melhor no passado.
Assim, como uma personagem pinçada de uma novela de época, Claude nos comtemporiza tal como alguém que ficou congelado numa câmara criogênica por 200 anos e, de repente, circula nesse mundo de velhas novidades.
É o poeta remanescente e extemporâneo, representante legítimo do simbolismo poético com todo seu rigor estético.
Uma figura singular, admirável.

Ivo Oliveira ,Jornalista.

M
textos da Poeta  Zizo 
https://www.recantodasletras.com.br/autor_textos.php?id=13849   
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textos e noticias do Poeta Charles Baudelaire


http://www.charlesbaudelaire.org/

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https://www.recantodasletras.com.br/autor_textos.php?id=13849

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Site de meu amigo

http://lepierrotlunaire.weebly.com/

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Museu Casa de Alphonsus de Guimaraens
http://www2.cultura.mg.gov.br/

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   Prefeitura  de Itabirito  :    http://www.itabirito.mg.gov.br/

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Biblioteca    Municipal  de Itabirito   :  http://bibliotecaitabirito.wordpress.com/


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Site sobre  o  Poeta  Simbolista português,radicado  no  Japão,Wenceslau de Morais
 
 
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PROJECTO MEMÓRIA MACAENSE - 10 ANOS

05 de Junho de 2003 - 05 de Junho de 2013

Há 10 anos o Projecto Memória Macaense está na Internet para falar de Macau

e dizer que existe uma gente chamada Macaense

fruto da presença portuguesa por cerca de 420 anos no Sul da China

sem vocês, conterrâneos, amigos e visitantes anónimos o PMM não teria completado 10 anos

muito obrigado pelo vosso apoio e visitas ao site

 

 

(site  Antigo)

   http://www.memoriamacaense.org/id327.html 

 

http://www.memoriamacaense.org/projectomemoriamacaense/

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Sites sobre  o  Poeta Simbolista,radicado  em Macau (hoje fazendo parte  da China,e que pertenceu a  Portuga)Camilo Pessanha .

http://purl.pt/14369/1/cronologia1909.html

http://cvc.instituto-camoes.pt/sabermaissobre/cpessanha/02macau.html 

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Gramophone

 

 

 

 https://lh6.googleusercontent.com/-iNPHZKJD7h0/T7HgxUpTmDI/AAAAAAAABjs/6EXagvu9R7E/s600-no/Record_large_KD_spin.gif

 

 

 

Frederic Chopin -Nocturnes Complete

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La Carpe

 

Dans vos viviers, dans vos étangs
Carpes que vous vivez longtemps!
Est-ce que la mort vous oublie
Poissons de la mélancolie?

 

Tradução para Português:

carpa

Nos vossos viveiros, nos vossos lagos,
Carpas, quanto tempo viveis!
Será que a morte vos esquece,
Peixes da melancolia?

 autor Francis Poulenc ( 1809 - 1963 )

 

 

  



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Atualizado  em 26/08/2022

 

 

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* The Raven ( original em ingles)


Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“This some visitor,” I muttered, “tapping at my chamber door —
Only this, and nothing more.”

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; — vainly I had tried to borrow
From my books surcease of sorrow — sorrow for the lost Lenore —
For the rare and radiant maiden whom the angels name Lenore —
Name less here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me — filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“This some visitor entreating entrance at my chamber door —
Some late visitor entreating entrance at my chamber door; —
This it is, and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you” — here I opened wide the door; ——
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, “Lenore!”
This I whispered and an echo murmured back the word, “Lenore!”
Merely this, and nothing more.

Then into the chamber turning, all my soul within me burning,
Soon I heard again a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore —
Let my heart be still a moment and this mystery explore;—
‘This the wind, and nothing more!”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made him; not an instant stopped or stayed him;
But, with mien of lord or lady, perched above my chamber door —
Perched upon a bust of Pallas just above my chamber door —
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore —
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the raven, “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning — little relevancy bore;
For we cannot help agreeing that no sublunary being
Ever yet was blessed with seeing bird above his chamber door —
Bird or beast upon the sculptured bust above his chamber door,
With such name as “Nevermore.”

But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing farther then he uttered — not a feather then he fluttered —
Till I scarcely more than muttered, “Other friends have flown before —
On the morrow he will leave me, as my hopes have flown before.”
Quoth the raven, “Nevermore.”
Wondering at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster — so, when Hope he would adjure,
Stern Despair returned, instead of the sweet Hope he dared adjure —
That sad answer, “Nevermore!”

But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore —
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamplight gloated o’er,
But whose velvet violet lining with the lamplight gloating o’er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by angels whose faint foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee — by these angels he hath sent thee
Respite — respite and Nepenthe from thy memories of Lenore!
Let me quaff this kind Nepenthe and forget this lost Lenore!”
Quoth the raven, “Nevermore.”

“Prophet!” said I, “thing of evil! — prophet still, if bird or devil! —
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate, yet all undaunted, on this desert land enchanted —
On this home by Horror haunted — tell me truly, I implore —
Is there — is there balm in Gilead? — tell me — tell me, I implore!”
Quoth the raven, “Nevermore.”

“Prophet!” said I, “thing of evil! — prophet still, if bird or devil!
By that Heaven that bends above us — by that God we both adore —
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore —
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the raven, “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked, up starting —
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! — quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the raven, “Nevermore.”

And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted — nevermore!

 

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